Ms Moira Espinosa
Cyhoeddiadau
2024
- Cyhoeddwyd
Espinosa, M., Ebr 2024, echo ECHO echo. ³ÉÈËVRÊÓÆµ
Allbwn ymchwil: Pennod mewn Llyfr/Adroddiad/Trafodion Cynhadledd › Pennod
2023
- Cyhoeddwyd
Espinosa, M., Mai 2023, ³ÉÈËVRÊÓÆµ.
Allbwn ymchwil: Llyfr/Adroddiad › Blodeugerdd - Cyhoeddwyd
Espinosa, M., 4 Mai 2023, Annwn Press. 120 t.
Allbwn ymchwil: Llyfr/Adroddiad › Blodeugerdd - Cyhoeddwyd
Espinosa, M., 22 Maw 2023.
Allbwn ymchwil: Cyfraniad at gynhadledd › Arall
Gweithgareddau
2025
Since the 1960’s in the Western world, feminist theory has become increasingly mainstream, and challenged gender
roles. Feminist values continually question the traditionally patriarchal mentality, and thus dating between
heterosexual couples has changed, as well as how they are depicted in romance novels. In the romance novel genre,
casual violence from men has been a long-standing trope, with the colloquial term ‘bodice ripper’ coming from how
commonly the male protagonist physically tore the female protagonists’ top off their body. In the past decade, a more
absurdist trope has emerged: the male protagonist is anything other than a man, ranging from being a honey badger, a
billionaire minotaur who donates sperm, a seven-foot-tall blue alien, or even a door. There is an abundance of
contemporary romance novels centred around a woman and various creatures or objects who still exhibit
hypermasculine characteristics, including casual violence. How does this trend speak to the dating world of today?
Why are authors writing romances between women and anything besides a man, while giving the ‘not man’
hypermasculine characteristics? My creative work explores the genre’s boundaries by questioning the acceptable
amount of hypermasculinity women would accept from a male partner, and how, if at all, men are socialised to be
violent as a demonstration of love.
2 Ebr 2025
Gweithgaredd: Cyflwyniad llafar (Siaradwr)
2023
22 Maw 2023
Gweithgaredd: Cyflwyniad llafar (Siaradwr)